Deitch
DEITCH PROJECTS
Street Market

Deitch Projects
76 Grand Street
New York, New York
Street Market

October 5 - December 2, 2000

Deitch Projects is one of the hipper galleries remaining in Soho. Opening a second larger space on Wooster Street has now allowed them to feature more installation work on an even grander scale. The present show "Street Market" is adapted from the recent "Indelible Market" show at the ICA in Philadelphia which was curated by Alex Baker. In this new version Barry McGee, Todd James and Stephen Powers continue their street level perspective which seems, ironically, to be very marketable art-wise. This show is made even more authentic and physical by the addition of two over turned trucks and one caravan complete with disheveled mattress and porn. This habitat gives the impression of being in an abandoned lot in Los Angeles. A subculture of the disenfranchised? In the recreated "bodegas" upstairs the same fake consumers items are found: "street cred" in a can and soda called "recess" with an uzi on the label. A strange ambivilance is generated by mocking the sad state of urban life while enjoying it’s recreation. A fondness for the condition is apparent and humor offsets the underlying serious intention. These ironies are more marked given this Soho location and close proximity of hundreds of upmarket high fashion stores. In one upstairs corner section of the gallery, a miriad of more intimate, drawn sad sack faces (McGee’s trademark), photos of friends, punks, and little paintings form a rag tag salon-style installation. It is hard not to be compelled. Associated with the skateboard crowd, this successful crossover from the "graffiti" sphere into fashionable art world has obvious precedents in the work of Keith Haring and Jean-Michel Basquiat (along with other influences) but with a different political resonance. The place where these ruminations on our social inequities and the artist’s painful private worlds collide is where the true worth of this work resides. As with the wonderful ICA show, it is McGee’s superb draftsmanship that holds things together.

©James Rosenthal

November 2000



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