galleries
Fleisher/Ollman Gallery 1616 Walnut Street


John J. O'Connor
C'ODE(e)R

Kate Abercrombie
making, joining and repairing

June 17 - August 20, 2010

Contact Info

Fleisher/Ollman Gallery
1616 Walnut Street, Suite 100
Philadelphia, PA 19103
tel 215-545-7562
fax 215 545 6140
info@fleisher-ollmangallery.com
www.fleisher-ollmangallery.com
Gallery Hours: Monday – Friday, 10:30 am - 5:30 pm; Saturday, noon - 5 pm

About the Exhibitions
Opening reception: Thursday, June 17, 6 - 8 pm

John J. O'Connor, C'OD(e)R
Fleisher/Ollman is pleased to present drawings, paintings, collages, and select sculptures by John J. O'Connor.

John J. O'Connor creates works that meander through a complex course. From a starting point in personal data (the artist's weight), chance (the roll of a die or winning lottery numbers) or statistics (the largest peaks and falls in the history of the U.S. stock market, or results from a Gallup poll concerning public confidence in the government), O'Connor's works, made from graphite, colored pencil, paint and found materials, are composites of quirky decisions, seemingly illogical tangents and obscure codes that end in a practice that is as much an homage to visualizing information as it is to pure abstraction. While giving form to formless information and pattern to seemingly patternless data, the artist simultaneously gives abstract mark-making some quantitative and measurable meaning.

Kate Abercrombie, making, joining and repairing
Also on view will be intimate, patterned goauche paintings on paper and a wall-sized digital print by Kate Abercrombie.

Often using the basic warp and weft structure of the weaver's loom as an anchor for her compositions, the artist lays down repeating geometric shapes to dissolve the rigid axis from which she works. A reference to printed fabric, the shapes comply with the patterns beneath while subversively overshadowing their presence. In select works, quirky imagery, inspired by Alexander Girard's collection of toys, dolls, and religious folk art, are formed through slight tonal shifts in color. In others, the shallow surface remains purely abstract, bringing to mind the complex pattern repeats made possible by grids of pixels. Though carefully built upon the organizing principles of geometry, nothing in Abercrombie's work seems to stay put for very long; the images and compositions maintain a fluctuating, fugitive presence, dissolving just as quickly as they appear.

About the Gallery
The Fleisher/Ollman Gallery originally opened in 1952 as the Janet Fleisher Gallery. One of the first shows was for a self-taught artist, Samuel Granatt. Between the years of 1952 and 1970, the gallery exhibited many forms of Folk Art including traditional and non-traditional American, as well as European naives and visionaries. In 1970, the gallery began its focus on American self-taught artists.


Image copyright © 2010 Fleisher/Ollman Gallery

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