|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
|
![]() |
![]() |
|
![]() |
||||||||||||||||||
|
|
|
|||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||
|
|
||||||||||||||||||||||
![]() |
|
![]() MINEFIELD: In Repetition (detail), 2003, Inkjet Print, 34 x 34" |
![]() MINEFIELD: In Repetition (detail), 2003, Inkjet Print, 34 x 34" |
|
MINEFIELD:
IN REPETITION, a by-product, a recursive presentation of both material
and subject, is derived from a wider installation entitled, Minefield.
Multiple photographic fields of anthracite fragments and images of an
egg -- internally irradiated by laser-excited protons, speak of repeating
life cycles. This work is metaphorically connected to minefields that
transform organisms and ideological landscapes. Anthracite presented as
pure carbon, egg, as a reproductive cell, laser-excited protons as radiation,
is an assembled reductive example of scientific and political forces that
contribute to human development.
|
|