The windows of the National Products Building, formerly a Fringe anchor venue, will host installations by three area artists. The south window will feature a collaboration by Joy Feasley and Paul Swenbeck, a surface-sweet tableau with hidden clues of menace and occult; in the north window, Nadia Hironaka’s kaleidoscopic video installation, "My Stars," in part a tribute to the National Building itself, will offer a trippy bridge between interior and exterior, "National" and "International." Nadia Hironaka will present a video installation, "My Stars," that uses architectural structures and surfaces to create a bridge between interior and exterior spaces. The installation is, in part, a tribute to the National Building (which is in danger of demolition). Viewers will see star- "National" will show views of the National Building, the other, "International," the FABRICA building in Treviso, Italy. The kaleidoscope stars will be placed within a mirrored strip that will reflect the street scene. Hironaka holds an MFA from the School of the Art Institute of Chicago and a BFA from the University of the Arts; she is a lecturer at the University of Pennsylvania Fine Arts Department and the University of the Arts, recently has shown her work as part of the LURE (Lighting for Rooftop Environments) project, and is a member of Vox Populi Gallery. Joy Feasley and Paul Swenbeck will work together to create an installation at the south windows of the National Building. The sculptural tableau will at first seem to be a straight-up representation of a pumpkin patch. However, closer inspection reveals something curious and sinister. The giant pumpkin is growing out of a tiny pot, and creepy imps are peering through cracks in the fence. Some bedevilment is at play here but it is unclear who will be the victim of the mischief. The seemingly harmless pastoral is simply a trap for viewers to be involved in an implied violence. Feasley and Swenbeck are both members of Vox Populi Gallery, where both have had recent solo exhibitions; Feasley’s work was also included in East Meets West: ‘Folk’ and Fantasy from the Coasts at the ICA in 2001. The couple's last collaboration was seen at Project Room in Philadelphia; the installation, Ostrara, involved layered or obfuscated elements of menace and occult symbolism combined with a healthy dash of humor. Feasley and Swenbeck both hold BFAs from the Massachusetts College of Art.