Maryland Institute, College of Art
MFA candidate



My mother has Alzheimer’s (they say I look like her)
acrylic on canvas, 48" x 60"
Artist Statement

As a lesbian and a mother I am both inside and outside societal acceptance – my lesbianism makes me the object of derision and discrimination while my status as Mother places me inside a Norman Rockwell painting, a cherished, yet belittled object.

As a result I find myself ideally situated to comment on "normative behavior" and the shadow-world of life and death behind it. My paintings view the complexities of everyday life from a "side door" of the house, using humor and irony to probe such topics as birth, sexual objectification, motherhood and disease. My goal is coax the viewer into rethinking the norm, to tunnel into the underground labyrinth of everyone’s private world. Sometimes I use words in juxtaposition to an image, "Incest?" for example, above the image of young girl in a girl scout uniform. This narrative acts as a catalyst, destabilizing the image and opening up a colloquy that revolves around the contradictions between accepted public images and their often hidden truths.

In addition, I use the techniques of a subjugated and often neglected class – children – painting flat cartoons to create modern icons of our private world.

As a woman and as a mother I find my experience is often not present in the art gallery but I find it when I visit Target. As a lesbian I face a double disappearance, as a lesbian mother it may be that I begin to cross so many categories that I disintegrate. Sometimes I think of my life as a series of boxes, some overlap, others exclude each other. In the mommy box my individual identity disappears. I become one with all of the mommies who populate my mommy life and at the same time I disappear as a mommy. Women may be finally taken as serious people, but when they admit to being a mother they become identified with children, thrust into the domestic box from which they are not allowed to speak. One of the most pernicious forms of discrimination is literal disappearance. But as an artist I take form again. Head, feet, hands appear. And as I work in my studio I have not forgotten the morph-like journey I have just made. I am true to my tribe … and I paint from the mommies’ point of view.

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