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Pennsylvania Academy of the Fine Arts
Morris Gallery
Eugene Baguskas
Idyllic Places
June 30 through August 28, 1988
This exhibition has been supported in part by a
grant from the National Endowment for the Arts, a Federal agency.
Eugene Baguskas was born in Worcester, Massachusetts,
in 1933. He attended the School of the Worcester Art Museum and
received his B.F.A. from the Yale University School of Art and Architecture
in 1962. Currently, he is an associate professor of painting and
drawing at The University of the Arts in Philadelphia.
Initially, these idyllic scenes populated by cows, moose, hawks,
geese, and fish suggest a time of natural innocence. On second view,
these tranquil vignettes are too good to be true. Gene Baguskas
consciously exploits our cliched images of bucolic nature, noting,
"[My work] is on the verge of irony, there is an element of
tongue in cheek here." These deceptively simple works, which
partially resemble the pastoral scenes of a Maine travel brochure,
belie the artist's extensive training. He uses brushwork to establish
a rhythm of textures in each piece and throughout the body of his
work and to conflate the depth of field as do unschooled artists.
While Baguskas strives for a primitive conceptual innocence, his
education and sensibilities assert themselves in the sophisticated
brushwork he employs to animate these images from the distant reaches
of his New England youth.
Baguskas worked on the twelve paintings created for this exhibition
during the last eighteen months. There is a perceptible increase
in the amount of animal characters he includes in his work from
the first ones he painted, which have only a few creatures in them.
More fish and fowl now vie for attention with the almost ubiquitous
cow and moose. Because these are environments unfamiliar to most,
Baguskas includes details known only to those who spend much time
in them. Rarely does anyone witness a gathering of moose, fish,
geese, crows, and insects as in Moose Look. This exaggeration
of Nature gives his work a mythical quality. Baguskas does allow
some symbols of civilization to intrude on his peaceable kingdoms;
the bow of a ship is visible in Moonlit Journey, and Twin
Falls Too includes, as the artist puts it, his "L.L.Bean
man."
Gene Baguskas does not paint from nature. The animals in these
seductively simple canvases are derived from magazines, memory,
and photographs from friends. The landscapes are entirely invented.
Once attracted to these works by the lush color and engaging subject,
the viewer is rewarded with Baguskas's intriguing humor and expert
technique.
Anne Monahan
Curatorial Intern
Checklist
All works courtesy of The More Gallery. Moonlit Journey, 1987
Oil on canvas
72"x 48" Moose Look, 1988
Oil on canvas
72"x 66" Grazing, 1988
Oil on canvas
64"x 64" Swan Flight, 1988
Oil on canvas
68"x 68" Twin Falls Two, 1988
Oil on canvas
63"x 42"
Aqua Lilies, 1988
Oil on canvas
44"x 66"
Collection of Mr. & Mrs. Lester
Rosenwinkel
Miss Moose, 1988
Oil on canvas
32"x 32"
Big Falls, 1986
Oil on canvas
28"x 28"
Shallows, 1988
Oil on canvas
26"x 26"
Mr. Moose, 1988
Oil on masonite
24 1/4"x 22"
Herring Run, 1988
Oil on canvas
18"x 18"
Swan Morning, 1988
Oil on canvas
18"x 18"
Selected Individual Exhibitions
1986 The More Gallery, Philadelphia, Pennsylvania
1982 The More Gallery, Philadelphia, Pennsylvania
1981 Butcher and More Galleries, Philadelphia, Pennsylvania
Swarthmore
College, Swarthmore, Pennsylvania
1976 Green Mountain Gallery, New York, New York
Selected Group Exhibitions
1985 Three Artist Show, The More Gallery, Philadelphia, Pennsylvania
1984 The Spirit of the Coast, Monmouth Museum, Monmouth,
New Jersey
Philadelphia
Art Alliance, Philadelphia, Pennsylvania
Personal
and Intimate, The More Gallery, Philadelphia, Pennsylvania
Sweet
Dreams and Nightmares, The More Gallery, Philadelphia,
Pennsylvania
1983 'Til the Cows Come Home, Sande Webster Gallery, Philadelphia,
Pennsylvania
Landscape,
The Cheltenham Art Center, Cheltenham, Pennsylvania
1982 Philadelphia College of Art, Philadelphia, Pennsylvania
Portraits,
The More Gallery, Philadelphia, Pennsylvania
The Morris Gallery displays the work of outstanding contemporary artists with a connection to Philadelphia, determined by birth, schooling, or residence. The exhibitions are chosen by a committee composed of area artists, museum personnel, and collectors, and the curatorial staff of the Pennsylvania Academy of the Fine Arts. Currently serving on the Morris Gallery Exhibition Committee are: Moe Brooker, Paolo Colombo, Bill Freeland, Faith Ginsburg, Carrie Rickey, Eileen Rosenau, Judith Tannenbaum; Academy staff Judith Stein, Morris Gallery Coordinator, Frank H. Goodyear, Jr., Linda Bantel, and Susan Danly.
Copyright, Pennsylvania Academy of the Fine Arts, Philadelphia, 1988
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