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Inliquid is honored to present an extensive
archive of writings by critic, curator, and Pew fellow Judith
Stein; and essays written for world-class exhibitions at the
Lawrence Oliver Gallery by a variety of renowned critics.
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Daniel Eatock
at Arcadia University Art Gallery
"London-based
Daniel Eatock’s show, Extra Medium, has a light touch
and is full of witticisms galore. A cheeky, underlying humor belies
his precise and analytical work and although the idea is always
key..." read
the review
Posted November 13, 2008
|
Gustave Courbet
at the Metropolitan Museum of Art
"Gustave
Courbet speaks to us today partly because of his wise-cracking attitudes
directed at authority and partly because of his physical achievement.
He is at the center of the Modernist canon via Realism but that almost
seems to miss the point." read
the review
Posted June 27, 2008
|
Love Explosion
at Fleisher/Ollman
"It
is ironic that Fleisher/Ollman Gallery, which shows consistent, high
quality contemporary art, finds trouble being understood in some quarters...
Of course, any dialogue is good and should be applauded, but as a
critic, there are issues involved that pertain to me specifically."
read
the review
Posted June 19, 2008
|
A.V.O.W. (Amps,
Volts, Ohms, and Watts) at the Painted Bride
"...an
excellent survey at the Painted Bride of art driven by bygone electronics
presented the opportunity for all present at the opening (including
Mayor Nutter) to dig the noise and wonder what makes this art tick.
" read
the review
Posted March
27, 2008 |
| Sean Duffy's
Grove at Arcadia University
"Sean Duffy
plays in the same pond as Christian Marklay whose “turntable-ism”
has inspired much of the art/stereo crossover. His touring Grove
installation is a savvy contemporary art lesson mixed with a trip
to the thrift shop record bin..." read
the review
Posted February 13, 2008
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| The Barnes Foundation
"Shame
on me. I have lived in Philadelphia for over ten years and have
never been to the Barnes Collection! Up to
this point, I was convinced it should stay where it is, but having
now seen the place, I have changed my mind..." read
the review
Posted November 15, 2007
|
Ike
Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush at
the PMA
"Ordinarily, I might
say that a major show of 18th century Japanese art could be a bit
fusty and overly art historical, but this exhibition at the Philadelphia
Museum of Art dispelled any such notion..." read
the review
Posted October 16, 2007 |
Bruce Nauman in
Montreal
"Perhaps
some of my reticence in singing casual praises to Bruce Nauman is
due to the fact that I’ve never seen enough of his work at one
time. Well, this fine Montreal exhibition resolved that problem..."
read
the review
Posted August 15, 2007 |
Affordable Art Fair
New York
"...It
could be I caught the fair on the last few hours and all the dealers
were beat, but as I entered I noticed immediately that “Affordable”
translated into something other than “contemporary,” and
definitely something other than top notch..." read
the review
Posted July 11, 2007 |
| Joan Wadleigh
Curran at Seraphin Gallery
Amidst
Philadelphia's sometimes fractured art world, James discovers an
enlightened breath of fresh air in the work of Joan Wadleigh Curran.
read
the review
Posted May 23, 2007
|
Winterfest
James did indeed
have fun at Winterfest '07. Here's why. read
the review
Posted May 16, 2007 |
Red Dot Art Fair
"It
was imperative that I visited the Philadelphia galleries present at
Red Dot on East 28th Street since I have been talking fairs up as
the way to go..." read
the review
Posted March 13, 2007 |
| Emerging Artist
Series at the Woodmere
James reviews
the ninth installment of the Woodmere's Emerging Artist Series,
which features the work of Christopher Hartshorne and Hiro Sakaguchi.
read
the review
Posted
March 5, 2007 |
Minimal Works
"Today,
artists who play with End Game strategies have to be fairly clever
by nature or they would simply engage in something more rudimentary
and conventional..." read
the review
Posted February 26, 2007 |
December
in Philadelphia
Two holiday exhibitions -- one at the venerable Locks Gallery
and the other at up-and-coming Falling Cow -- showcase a range of
Philadelphia talent. read
the review
Posted January 4, 2007 |
Virgil Marti: Crazy
Quilt at the Design Center
"In
his first multi-installation show, which functions as a mini-retrospective,
Marti uses the house to full advantage architecturally, emphasizing
the museum part in places and domestic banality elsewhere..."
read
the review
Posted December 14, 2006 |
Joyce Persato's
This Must Be The Place at Parker's Box
At Parker's
Box in Williamsburg, painter Joyce Persato's neo-expressionistic take
on the world of comics addresses heavily -mined pop culture with a
mature intensity...read
the review
Posted December 12, 2006 |
Taken With Time
/ A Camera Obscura Project at the Print Center
For this
exhibition, The Print Center commissioned Ann Hamilton, Vera Lutter,
and Abelardo Morell to create works in Philadelphia using the camera
obscura...read
the review
Posted November 8, 2006 |
Rising Sun,
Melting Moon at the Israel Museum
A
solid overview of contemporary Japanese art was presented at Jerusalem's
Israel Museum in 2006...read
the review
Posted October 16, 2006 |
| Works on
Paper 2006 at Arcadia
Guest curator Cornelia Butler of MoMA puts her finger on
the pulse of Philadelphia's art scene. read
the review
Posted June, 2006 |
| A Report on
Art Basel Miami, Scope, and their Independent Offshoots
James sifts
through the hype, money, and -- yes -- even the art that surrounds
the art fairs.
read the review
Posted March 10, 2006
|
| Little
Boy: The Arts of Japan's Exploding Subculture at the Japan
Society
The third exhibition of Takashi Murikami's "Superflat"
trilogy looks at post-atomic cultural fallout reflected in contemporary
Japanese art and comics. read
the review
Posted September, 2005 |
| Dali at the
Philadelphia Museum of Art
James offers his take on both the hype and
the substance of PMA's mega-blockbuster. read
the review
Posted July, 2005 |
| The Armory Show
2005
This year's Armory Show prompts questions on the role of market
forces in shaping contemporary art. read
the review
Posted June, 2005 |
| Chelsea Show
Highlights, April 2005
A rundown of some of the more interesting
April shows in Chelsea, NYC, including: Bertozzi & Casoni, Michael
Elmgreen & Ingar Dragset, Amy Wilson, Martin Kippenberger, and
Damien Hirst. read
the review
Posted June, 2005 |
| Christo and
Jeanne-Claude's The Gates
James takes a look beyond the media hype.
read
the review
Posted April, 2005 |
| Pépon
Osario: Trials and Turbulence and Ant Farm 1968 - 73
"Pairing the installation
of Pepon Orsorio with the Ant Farm retrospective at the ICA makes
possible some interesting comparisons of political priorities in
art practice over the last thirty years ..." read
the review
Posted December, 2004 |
| Paul Swenbeck's
Specter of the Brocken at PAFA Morris Gallery
Swenbeck's timely installation at the Morris
Gallery evokes ancient myth, the occult, superstition, and his Salem,
MA heritage. read
the review
Posted November, 2004 |
| OPEN
at Arcadia University Art Gallery
Arcadia University presented works by 53
artists as part of the summer 2004 city-wide project, "The
Big Nothing." read
the review
Posted August, 2004 |
| Whitney Biennial
2004
"The obligatory nature of the Whitney
Biennial adds a pressure to the visit..." read
the review
Posted June, 2004 |
| Eats, Shoots
and Leaves at York Arts
A Brooklyn gallery, Parker's Box, presented
an exhibition in York, PA. read
the review
Posted June, 2004 |
| Challenge
4 at the Fleisher Art Memorial
The final installation of the 2004 Fleisher
Challenge series featured work by Doina Adam, James Johnson, and
Tom Vance. read
the review
Posted April, 2004 |
| History Repeating:
Immendorff and the Eighties
Jorg Immendorff: I Wanted to Become
an Artist, a survey exhibition
at Moore College of Art and Design, prompts a reconsideration of
the 1980s' art legacy. read
the review
Posted March, 2004 |
| William Eggleston,
Pre-Color at Cheim & Reid, NYC
A review of a recent exhibition that presented
early (1960-74) black and white pieces by this photographer who
is most famous for his work in color. read
the review
Posted February, 2004 |
| Andrew Jeffrey
Wright's Déclassé at SPECTOR
"Andrew Jeffery Wright should have
no trouble dominating Spector Gallery and he doesn't, especially
with the aid of so many fellow zine enthusiasts..." An examination
of AJW's body of solo and collaborative pieces presented at Spector
Gallery in November, 2003. read
the review
Posted December, 2003 |
| Sculptural
Prints at the Print Center
A review of the fall 2003 group exhibition at the Print Center in
Philadelphia. read
the review |
| Matthew Barney
at the Guggenheim
A look at the Guggenheim's ambitious, all-encompassing presentation
of Barney's five-part Cremaster Cycle.
read
the review |
| Kevin Reay,
Army of One at Nexus Community Gallery
With subversive outsider wit, British artist
Reay's recent performance/installation at Nexus took aim at the
American psyche's twisted affair with manly violence. read
the review |
| Grounds...
at Parker's Box in Brooklyn
James reviews an exhibition of installations
by Caroline McCarthy, Ezra Parzybok, and Ravi Rajakumar -- three
artists who, in different ways, use the premise of terrain to investigate
the correlation between real environment and the inner landscape
of the mind. read
the review |
| Beat Streuli:
Sydney, Tokyo, Birmingham, New York
A look at the April, 2003 exhibition
by this Swiss artist at Arcadia University Art Gallery. read
the review |
| Eye of the Beholder
A review of I Saw the Light, which presented works by Richard
Harrod, Rob Matthews, and Richard Torchia at Project Room in March,
2003. read
the review |
| Intricacy and
more at the ICA
Taking recent cultural phenomena into account,
James evaluates the separate and aggregate cultural import of three
exhibitions at the Philadelphia ICA: Intricacy, Edna Andrade's
Optical Paintings, and Adam Ames' six-screen video installation.
read
the review |
| Jane Irish's
History Lesson at PAFA
A review of the winter 2002/03 exhibition
of work by Philadelphia artist Jane Irish at PAFA's Morris Gallery.
read
the review |
| Greater Philadelphia
at Moore
James reviews the fall 2002 group exhibition
of emerging Philadelphia artists at the Galleries at Moore. read
the review |
| Astrid Bowlby's
Leaves of Grass at PAFA
A capsule review of Bowlby's fall, 2002 installation at the Morris
Gallery of the Pennsylvania Academy of Fine Arts. read
the review |
| Heads
- New Portraits by Nick Cassway at Nexus
James reviews Nick Cassway's October, 2002 exhibition at Nexus Foundation
for Today's Art. read
the review |
| Unbecoming at the
Art Alliance
A review of the recent group exhibition at the Philadelphia Art
Alliance. read
the review |
| 2002 Whitney Biennial
James takes a look at the wide net cast by the Whitney this year.
read
the review |
| Sol LeWitt in Chestnut Hill
What's a nice guy like James Rosenthal doing at the Chestnut Hill
Academy? Must be the LeWitts. read
the review |
| ...but is it Art?
In this look at "Art is Everywhere"
at the Woodmere, James Rosenthal offers his views on the entrenchment
of our conservative local arts organizations, and how they may be
hindering public perception of what art really is. read
the review |
| Let's Get To Work:
Joint Exhibition at Rosenwald-Wolf Gallery and BaseKamp
James Rosenthal takes a critical look at
"Let's Get To Work" a cross-cultural project involving
28 contemporary artists and two artist/curators from the United
States and the United Kingdom. read
the review |
| Alleged Gallery at Space
1026
James Rosenthal reviews Space 1026's exhibition featuring the work
of five artists from Brooklyn's Alleged Gallery.
read the review |
| Back to top |
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|
Sara McEneaney,
exhibition catalogue
book review by Andrea Kirsh
A beautifully
produced catalogue by the ICA, featuring ten essayists and 39 full-page
color reproductions, offers the first published overview of the art
of Sarah McEneaney, one of our region's most respected painters. read
the review
Posted August 28, 2007 |
| Babel,
Jim Houser
book review by Andrea Kirsh
On the heels of the recent Jim Houser show the Painted Bride,
Kirsh takes a look at an intriguing, genre-defying reflection of
the artist's work and life. read
the review
Posted June 11, 2007 |
Thomas Chimes:
Adventures in Pataphysics, exhibition catalogue
book review by Andrea Kirsh
Kirsh
reviews the catalogue accompanying Philadelphia Musuem of Arts'
retrospective exhibition of the works of Thomas Chimes. read
the review
Posted April 5, 2007 |
Will Stokes, Jr,
exhibition catalogue
book review by Andrea Kirsh
A review of the exhibition catalogue for the 2007 Will Stokes,
Jr. retrospective at the Fabric Workshop and Museum.
read
the review
Posted March 16, 2007
|
Extra Virgin:
The Stained Glass of Judith Schaechter
book review by Andrea Kirsh
Kirsh discusses
a new book documenting the work of acclaimed stained glass artist
Judith Schaechter. read
the review
Posted January 8, 2007 |
| Bloody
Great Apes
The Church of Hazel Motes Without Hazel Motes at Pageant Gallery
by Kevin Reay
A group of artists called "The Wasted
Apes" uses Wise Blood,
a novel by Flannery O’Connor, as both a subtext and a guide
for this exhibition at Pageant Gallery.
read the review
Posted October, 2005 |
|
A Dialogue on
Cary Leibowitz's Assimilatiana: Conscious Consciousness
by Jennifer Zarro (with Matthew Singer and Cary Leibowitz)
Writer Jennifer Zarro and Matthew
Singer, curator at Philadelphia Museum of Jewish Art, discuss this
site-specific installation by Cary Leibowitz as well as his work
as a whole -- bringing into play notions of assimilation, ghetto-fabulousness,
the significance of Chanuka mania.... Includes a response from the
artist. read
the article
Posted March, 2004 |
|
Scott Musgrove: Accidental
Taxidermist
by Richard Metz
Metz reviews Musgrove's seriocomic paintings at Tin Man Alley. read
the review
Posted April, 2003 |
|
Bathhouse Contemporary Art
Gallery
by K. Malcolm Richards
A look at a group exhibition of installations
by emerging artists at this new Philadelphia gallery space. read
the review
Posted January, 2003 |
|
Phil Frost at PAFA
by Roberta Fallon
Roberta Fallon reviews the Phil Frost
"SOALMBSEVEN" exhibition at the Pennsylvania Academy of
Fine Arts. read
the review
Posted March, 2002 |
|
A Dialogue on Lee Bul: Live
Forever
by Richard Metz & Melissa Purnell
Artists Richard Metz and Melissa Purnell
discuss their impressions of the Lee Bul "Live Forever"
exhibition at the Fabric Workshop. read
the review
Posted March, 2002 |
|
Tabula Rasa - Joseph
Hu and Jessica Hyzer
by Jennifer Zarro
Jennifer Zarro reviews "Tabula Rasa"
at the University City Arts League, featuring artists Joseph Hu
and Jessica Hyzer. read
the review
Posted December, 2001 |
|
Art is Politics by Other
Means - The Visual Art of Albo Jeavons
by Richard Metz
Richard Metz reviews "The visual artwork
of Albo Jeavons" at the Compost Gallery, 1318 Walnut Street,
Philadelphia. read
the review
Posted June, 2001 |
Space 1026 - Forearms
of Steel
by Nicole Roszko
13 printers from the Space 1026 collective
showed their work at a group show at The Print Center. Nicole Roszko
gives you the lowdown. read
the review
Posted April, 2001 |
| Back to top |
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|
An archive selection of reviews and essays
by Philadelphia
City Paper art critic Susan Hagen,
reproduced with permission of the City Paper
|
Wlodzimierz Ksiazek: New Paintings
A review of the fall 2002 exhibition at the Philadelphia Art Alliance
(published November 14, 2002) read
the review |
Paradise Redefined - Sarah McCoubrey
A review of Signs Taken For Wonders:
New Paintings at the Locks Gallery
(published October
3, 2002) read
the review |
Raising the Bar
A look at Philadelphia watering holes that offer more than just
drinks to local artists (published
July 2, 2002) read
the review |
Green Thumb - Anda Dubinskis
A review of Anda Dubinskis: New Work
at Fleisher Ollman Gallery
(published May
2, 2002) read
the review |
Bone Collector - Charles LeDray
A review of Charles LeDray, Sculpture 1989-2002 at the ICA (published
May 30, 2002)
read
the review |
Lights Camera Inaction - William Larson
A review of Back
Time: Video Projections by William Larson at the Arcadia University
Art Gallery (published
April 18, 2002) read
the review |
Love and Joy - Joy Feasley
A review of Sky Clad -- A Naturist
Love Story at Vox Populi Gallery
(published April
25, 2002) read
the review |
A Joyful Noyes
A review of ReCreation/Recreation:
Fun With Found Objects at the Noyes
Museum (published
February 7, 2002) read
the review |
George Nakashima and the Modernist Moment
A review of the exhibition at the Michener Art Museum
(published September, 2001)
read
the review |
Comic Sense - Ray Yoshida
A review of Ray Yoshida: Paintings
and Collages at Fleisher/Ollman Gallery
(published December
2, 2000)
read
the review |
Drawing from the Collection
A review of For Your Eyes Only: Looking Closely at Works of Art on Paper at the Philadelphia Museum of Art
(published August 17, 2000)
read
the review |
| Back to top |
|
If you would like to contribute to the InLiquid Review
section click
here |
Explore InLiquid's archive of previously featured reviews |
The writings here do not necessarily reflect the opinions of
InLiquid.com or its editorial staff and belong solely to the individual
submitting the material. InLiquid.com reserves the right to edit
submitted material, but assumes no responsibility for the opinions
expressed herein. |
|
|
|
A
series highlighting the work of artists in the Philadelphia
region. |
"Mike
Stifel is a tinkerer with a broad interest in materials
and the physical laws that underlie them. He grew up working
on cars and motorcycles..." read
the article
Posted August 26, 2007 |
"Hee
Sook Kim’s
current work is part of a conscious turn to a practice of healing
following September 11, 2001. Born and raised in Korea where
she studied printmaking and painting..." read
the article
Posted July 5, 2007 |
| "Lisa
Graf employs the simplest of means with her ceramics;
her method is found in ancient artifacts across several continents..."
read
the article
Posted June 21, 2007 |
| "Charles
Livingston spent a long time working against the beauty
of his art; it was a quality that his professors in graduate
school criticized..." read
the article
Posted May 16, 2007 |
| "Nami
Yamamoto
loves the patterns of nature, and she has reproduced and abstracted
them to create installations of beauty and delight..."
read
the article
Posted April 10, 2007 |
| "Books
are read with the hands as well as the eyes and are inherently
mutable. Elysa Voshell is drawn
to this multi-dimensionality of bookmaking; she creates sensuous
objects to be held and touched as well as read..."
read
the article
Posted
March 16, 2007 |
"Of
all the challenges a painter can set himself, the most difficult
is surely the monochrome. Is there anyplace left to take the
form ninety years after Malevich? After Reinhardt, Klein, Rauschenberg,
Martin, Marden, and Ryman? Jon Poblador
has risen to the challenge ..." read
the article
Posted March 12, 2007 |
"Some
people manage to retain clear memories of their childhood views
of the world, misunderstandings and all. Eric
McDade is one of them, and he incorporates those
memories in his personal and rather quirky imagery..."
read
the article
Posted February 26, 2007 |
"Rags,
plastic netting, bubble-wrap, paper, and light are the raw materials
of Louise Barteau Chodoff’s
ephemeral installations..." read
the article
Posted February 8, 2007 |
"We
look but there’s much we don’t see. When stories
are not told, history is distorted. William
Earle Williams’
photography helps us see..." read
the article
Posted January 30, 2007 |
"Nancy
Agati’s
work is about growth and transformation, and these themes are
built into her processes as well as her imagery..." read
the article
Posted January 18, 2007 |
"Jackie
Tileston is
a visual omnivore with a large appetite and a craving for color..."
read
the article
Posted December 18, 2006 |
| "Stefan
Abrams is
interested in the spaces of desire and the personal and social
activities which manipulate desire... read
the article
Posted
December 5, 2006
|
"Marjorie
Grigonis works
in a tradition of biomorphic abstraction with a direct lineage
to Kandinsky’s initial forays into non-objective painting..."
read
the article
Posted November 16, 2006 |
| Hiro Sakaguchi
"His
e-mail moniker is hirothepainter, and it was to study
painting that he took his very first airplane flight, from
Tokyo to Philadelphia, fifteen years ago..." read
the article
Posted
November 8, 2006 |
"Most
people who have seen Eric Joselyn’s
flyers, posters, or banners or worn t-shirts with his designs
have no idea of the artist behind them..." read
the article
Posted
November 1, 2006 |
"Tyler
Kline was
a skateboarder and for a number of years he recycled his old
boards as painting supports..."read
the article
Posted October, 2006 |
"Lorraine
Glessner's
paintings are composed of multiple layers of images, none of
which wins a definitive hold on the viewer’s attention.
Yet rather than mimicking the attention-deficit disorder that
characterizes contemporary life..."read
the article
Posted October, 2006 |
| Back to top |
|
|
|
InLiquid
has partnered with Art Matters to present a regular
series of columns called "InLiquid InPrint" that provide
news and commentary from InLiquid's perspective...view
the articles |
| Back to top |
|
 |
|
Wild About Harry
An article that originally appeared in
the March 15, 2001 Philadelphia City Paper profiles Mary
Thorp, the avid chronicler of the complete works of modern master
Harry Bertoia. read
the full article
Office Space
SEI Investments in Oaks, PA reflects its decidedly progressive
corporate culture through the extensive and offbeat West Collection
of contemporary art. An article that originally appeared in the
Philadelphia City Paper in March, 2002. read
the article
Making the Grade
The student fashion shows of Philadelphia University and Moore
College of Art and Design demonstrate that fashion need not be
a pack animal activity. An article that originally appeared in
the Philadelphia City Paper in May, 2002. read
the article
Beyond the Walls
The saga of the now-homeless Pogo Gallery
is emblematic of the perennial problem Philadelphia artists have
in finding legitimate work and exhibition space. But more than
that, their dilemma illustrates the power of physical location
in bestowing credibility to art. An article that originally appeared
in the Philadelphia City Paper in December, 2001.
read
the article
A Space Tragedy
Realty speculation and the whims of out-of-town
property owners are making it more difficult for Philadelphia
artists to find -- and keep -- studio space. An article that originally
appeared in the Philadelphia City Paper in February, 2001.
read
the article
Box Set
A Philadelphia firm, otto design
group, applies a skate culture ethos to create edgy identities,
box furniture, and more. An article that originally appeared in
the Philadelphia City Paper in February, 2001. read
the article
Modern Problems
A look at endangered 20th-century architecture
in Philadelphia, and a new group, Tri-State Docomomo, that seeks
to raise awareness of the modern gems in our midst. An article
that originally appeared in the Philadelphia City Paper
in January, 2001. read
the article
Dream Seats
At the Philadelphia Furniture and Furnishings Show, 19 high school
students rise to a design challenge with an impressive range of
creativity. An article that originally appeared in the Philadelphia
City Paper in April, 2001. read
the article
Back to top
|
 |
|
Studio Memories: Frida and Diego by Lauren LaRocca
How a Maryland artist discovered painting -- and love -- in the legendary company of Frida Kahlo and Diego Rivera. read the article
Posted March, 2008
East Meets West: "Folk" and Fantasy from the Coasts by Alex Baker
An essay written for InLiquid, examining the exhibition Alex Baker curated at the Institute of Contemporary Art. read the article
Getting Naked: Lisa Yuskavage, Tracy Emin, and Karen Kilimnik by Nicole Roszko
Nicole Roszko examines the changing role of women in the art world through by exploring the work of prominent artists Lisa Yuskavage, Tracy Emin, and Karen Kilimnik. read the article
Back to top
|
 |
|
Art Chef by James Rosenthal
Would the abuse tactics of reality TV's Chef Ramsay (i.e. "never
be polite and always swear like a stevedore") be the ticket
for shaking some sense into schlock art galleries? James makes
a modest proposal for raising the tone of the art world. read
the essay
posted February 29, 2008
InLiquid and the New Philadelphia
by James Rosenthal
James Rosenthal's essay that was published
in ART MATTERS magazine. read
the full article
Back to top
|
| |
A selection of articles that originally appeared in the Pennsylvania Academy of Fine Arts' Graduate Journal of art criticism |
|
Interview with Maurizio Cattelan (or Massimiliano Gioni, as you wish)
By Pam Chapman and Tamara Kostianovsky read the article
The Good Apprentice by Kevin Reay
An in-depth look at Matthew Barney's
Cremaster 3
read the article
Eastern State Penitentiary - A Good Place to Show Art
Excerpts from a discussion with Eastern State's director of programs,
Brett Bartolino,
transcribed by Tamara Kostianovsky read the article
Back to top
|
|
If you would like to contribute
to the InLiquid Writings section click
here |
Explore InLiquid's Archive
of previously featured Essays |
The writings here do not necessarily reflect the opinions of
InLiquid.com or its editorial staff and belong solely to the individual
submitting the material. InLiquid.com reserves the right to edit
submitted material, but assumes no responsibility for the opinions
expressed herein. |
|
