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1. Faith, 2008, shards of plastic cards, cross-stitched onto velvet,
     36" x 53"
2. Blind Faith, 2007, shards of plastic cards, cross-stitched onto velvet,
      16-1/2" x 20-1/2"
3. Altered Identity, 2007, plastic cards, paper, plastic, glass beads, metal,
      20-1/4" x 26-1/2"
4. Security Measures, 2006, plastic cards, cut, drilled and beaded onto
      velvet, 39” x 30”
5. Diana and Sylvia,  2007,  altered, embellished, credit cards, 5" x 9'
6. Your Name here, 2008, plastic cards, cut, drilled and beaded onto
      cotton, 14" x 14"
7. John Robert, 2008, plastic cards, cut, drilled and beaded onto cotton,
      14" x 14"
8. CreditCard #1, 2007, altered, embellished credit cards, 3-1/2" x 2-1/2"
9. Twist Tie Quilt #6: Double Vision, 2005, paper and metal twist ties with
      hand colored edges, stitched onto cloth, 45” x 65-1/2”
10. Twist Tie Quilt #5: Blind Stitching, 2004, paper and metal twist ties
        with hand colored edges, stitched onto cloth 36-1/2” x 54”
11. Twist Tie Quilt #7: White Markings, 2005, paper and metal twist ties
        with hand colored edges, stitched onto cloth 36-1/2” x 54”
12. Twist Tie Quilt #:4 Test Pattern I, 2004, paper and metal twist ties,
        glass beads, plastic and metal x-ray markers, hand-stitched onto
        cloth, 22" x 18"
13. Twist Tie Quilt #3: Tumbling Blocks, 2002, paper and metal twist ties,
        hand-stitched onto cloth, 37" x 28"
14. Twist Tie Quilt #2: American Study, 2002, paper and metal twist ties
        with hand colored edges, glass beads, sequins, stitched onto cloth,
         72" x 48"
15. Twist Tie Quilt #1: Log Cabin, 2000, paper and metal twist ties with
         hand colored edges and glass beads, stitched onto cloth, 41" x 33"
16. Kiss Nature Goodbye, 2000, paper automobile air fresheners, plastic
        hair clips and metal fragments, beaded and quilted onto cloth,
        45" x 38"
17. Bone Sampler: Home Sweet Home, 2006, chicken bones, beads,
        stitched onto velvet, 36” x 45
18. Bone Quilt: Best Wishes, 2006, chicken bones, beads, stitched onto
       velvet, 36” x 42-1/2”
19. $100 Quilt, 2002, 100 one dollar bills, gum wrappers, glass and
       metal beads, hand-stitched onto cloth, 58" x 36"
20. $2, 2002, Paper and thread 3-¾" x 6-1/4
21. Glass Eye, 2005, Window glass fragments and beaded stitched onto
        velvet, 10-1/2" x 10-1/2"
22. Red Eye, 2005, Glass beads and plastic plant fragments stitched
        onto velvet, 10-1/2" x 10-1/2"
23. Blue Eye, 2005, Sequins and Glass beads stitchedonto velvet,
       10-1/2" x 10-1/2"
24. Eye Scape, 2005, Glass beads and plastic plant fragments stitched
        onto velvet, 10-1/2" x 10-1/2"

Photographs by John Woodin

Contact Information
415 S. 47th Street
Philadelphia, PA 19143
tel: 215-518-1733
e-mail: amyorr1@gmail.com
www.amyorr.net

Snyderman Gallery
303 Cherry Streeet
Philadelphia, PA 19106
tel: 215-238-9576
e-mail: info@snyderman-works.com
www.snyderman-works.com
Please contact artist or gallery for purchases, commissions, etc.

Artist Statement
I make art from a pallet of materials including chicken bones, religious mementos, twist ties, credit cards, dollar bills and dollar store multiples. I'm drawn to artifacts for their inherent social, political and ecological content. Process and excess drive both my collection of materials and art making rituals. One of my objectives is to explore and exploit the dualities in traditional fiber art.

Recently, I've been working with "Plastic": credit cards, ID cards and special offers. The plastic cards have value and no value; they contain information, power and access. They contain personal histories and hopes for the future.  The Plastic is hard to destroy. The act involves trust and fear. I hope that my work provokes consideration and that you will send me your old plastic.

Amy is collecting plastic cards worldwide. Please send your old plastic cards (Identity cards, credit cards, gas cards, special offers, gift cards, real and fake to Amy Orr at the above address. The cards will be cut and mixed together to alter personal information

Education
1989
Tyler School of Art, Temple University, Elkins Park, PA
MFA

1981
University of the Arts, Philadelphia, PA
MA, Fibers and Education

1977
Bezalel Academy of Art and Design, Jerusalem, Israel
BFA

Professional Experience
2008
FiberPhiladelphia
Coordinator

2007-2008
Adjunct Faculty, Crafts/Fibers, Tyler School of Art, Temple University, Elkins Park, PA

1986- 2007
Rosemont College, Rosemont, PA
Associate Professor of Studio Art
Arts Division Chairperson 2005-2007, 2001-2003, 1997-1999
Studio Art Coordinator 2003-2004, 2000-2001, 1986-1997
Art Certification Coordinator 1986-2007

1988
Visiting Artist, Glasgow School Of Art, Glasgow, Scotland

1982-1987
Adjunct Instructor, University of the Arts,  Philadelphia, PA

1981-1987
Designer: Exhibition Banners, Pennsylvania Academy Of The Fine Arts,  Philadelphia, PA

1981-1986
Artmobile Director, Bucks County Community College, 
Newtown, PA

1980-1991
Co- Editor and Publisher, The Artists’ Guide To Philadelphia

Awards and Grants
2007, 2006, 2005, 2003, 1995, 1989, 1988
Connelly Faculty Development Grant

2004
Claniel Foundation,  In conjunction with Inliquid.com; To explore a web based edition of the Artists Guide

2000
Multiples Exhibition, Freflora Rubin Re/Max Award Main Line Art Center, Haverford, PA

1997
Power of Paper Exhibition, Fred D. Griffith’s Printing Company Award Main Line Art Center, Haverford, PA

1990, 1989, 1987, 1986, 1984
PA Council on the Arts, in support of The Artists’ Guide to Philadelphia, 5th Edition

1989
New Jersey Council on the Arts, "Sharing the Arts" Purchase Award

1988
PEW, Faculty Development Grant, Visiting Faculty, Glasgow,
Scotland

Tyler School Of Art, Temple University, Scholarship for Outstanding Academic Achievement

Lectures and Talks
2004
Panelist, "Professional Connections For Artists", Main Line Art Center, Haverford, PA

2004
Slide Lecture, Textile Study Group of New York, NY

Panelist, "Writing Artist Statements", Main Line Art Center, Haverford, PA

Bibliography
2008
Rosof, Libby, "The Fab Fiber Four: The Second Stitch", artblog, March 19, 2008

King, David, "Fiber-Rich", Philadelphia Inquirer, pages W2-23, March 7, 2008

Dribbin, Melissa, "Fiber Topics", Philadelphia Inquirer, pages E1, E5, March 5, 2008

Riley, Leslie, "Artist to Artist with Amy Orr", Cloth Paper Scissors, May, pages 81-2

2007
Quilt National and the Internet: The Artist Responds Fiberarts Magazine, page 7,  2007, September/October 2007

Sider, Sandra, "Commentary: Quilt National and the Internet", Fiberarts, page 8, Summer 2007

Patchwork Quilt Tsushin, Tokyo, Japan, "Amy Orr: Gallery 2", page 111,  June 2007

2006
Smuckler,  Janneken, SAQA Journal, "5th International Fiber Biennial", pages 18-19, Spring 2006

USAirways Magazine, "In The Hub: Art on the Fly", page 112, January 2006

Young, Miriam,  The Roanoke Times, "The Culture Vulture:79-cent art", January 18, 2006

2005
Shaw, Robert, Art Quilts: A Celebration, Lark Books

Rice, Robin, "Amy Orr: Exploring Excess", feature article and front cover plate, Surface Design Journal, pages 30-35, Winter 2005

2004
Quotable Women, A Celebration, pages 23,56, Running Press

2002
Leininger, Margaret, Surface Design Journal, "In review: Survey Fiber" 2002

Sozanski, Edward, "Fiber Show: Beyond Textiles", Philadelphia Inquirer, May 12, 2002

Sozanski, Edward, "At the Cutting Edge: the State of the Art Quilt", Philadelphia Inquirer, July 2002

Rice, Robin, "A View to a Quilt, review of At the Cutting Edge: the State of the Art Quilt", Citypaper, July 18, 2002

2001
Quilt National, Lark Books, 2001

2000
Raftery, Kay, "At ‘Quilting Bee’, Layers of Lives are Revealed", Philadelphia Inquirer, MD, pages 1,2, March 12, 2000

Quotable Women, a Celebration, Running Press, 2000

1999
Sozanski, Edward, "Using Raw Materials with Taste and Restraint", Philadelphia Inquirer, page 32, August 6, 1999

Fiberarts Design Book Six, Lark Books, fall 1999

1998
Brown, Girard, "The New Garbage", review of solo exhibition Philadelphia Weekly, December 2, 1998

Surface Design Journal, "Exposure", page 42, fall 1998

Korach, Alice, Bead Art, Pages 76-77, Kalmbach Books, 1998

1997
Donohoe, Victoria, review of "Power of Paper", Philadelphia Inquirer, February 1997

1989
Eliot, Robert, "Beasties, Beauties and other Wonders" Art Matters, Page, 15, July 1989

Selected Exhibitions

Solo

2000
Beaded Streetscapes, Burrison Gallery, University of Pennsylvania, Philadelphia, PA

1999
Disparate Moments, University City Arts League, Philadelphia, PA

1998
Amy Orr, Temple Gallery, Philadelphia, PA

1990
Interior Decorating with Plastic Alligators, Drexel University,
Design Arts Gallery, Philadelphia, PA

1985
Private Places, Kling Gallery, Philadelphia, PA

1984
University of Delaware, Newark, DE

Personal Affects, Rosemont College, Rosemont, PA

1980
20th Street Cafe, Philadelphia, PA

1978
Faculty Club, University of Pennsylvania, Philadelphia, PA

Group

2008
6thInternational Fiber Biennial, Snyderman Gallery,
Philadelphia, PA

Fiber Artists: Philadelphia, #5, DaVinci Art Alliance,
Philadelphia, PA

2007
SOFA, New York, NY

2006
Vernacular/Spectacular, Meyerson Hall Gallery, University of Pennsylvania, Philadelphia, PA

5th International Fiber Biennial, Snyderman Gallery, Philadelphia, PA

Exhibit 4, InLiquid at the Painted Bride Art Center, Philadelphia, PA

Take Cover, Quirk Gallery, Richmond, VA

2006, 2005, 1997, 1995, 1993, 1991, 1989, 1987
Studio Art Faculty. Biannual Exhibition, Rosemont College, Rosemont, PA

2005-2006
Twist Tie Quilts, Philadelphia Airport, Philadelphia, PA

2005
Studio Art and Design Faculty Exhibition, Rosemont College, Rosemont, PA

SOFA, New York, NY

2003
Alternitive Quilt, Houston Center for Contemporary Craft, Houston, TX

Riffe Gallery, Columbus, OH
Quilt National Tour

Lauren Rogers Museum of Art, Laurel, MS
Quilt National Tour

2002
At The Cutting Edge, The State of the Art Quilt, Ross Gallery, University of Pennsylvania, Philadelphia, PA

SOFA, New York, NY

Survey Fiber 2002, Snyderman Gallery, Philadelphia, PA

Quilters Heritage Celebration, Lancaster, PA
Quilt National Tour

SEPCHE Studio Art Faculty Exhibition, Chestnut HIll College, Philadelphia, PA

Invitational Small Works Exhibition, NAP Space, Kutztown PA

2001
Quilt National, Athens, OH

2000
Art Quilts at the Sedgwick, Sedgwick Cultural Center, Philadelphia, PA

1999
Art Quilts at the Sedgwick, Sedgwick Cultural Center,
Philadelphia, PA

Focus on Fibers, Art in City Hall, Philadelphia, PA
Juror: Warren Seelig

Stories, 750 Gallery, Sacramento, CA

1998
Beadworks, Dairy Barn Cultural Center, Athens, OH
Juror: Joyce Scott

Innovations: Philadelphia Furniture and Furnishings Show, Philadelphia, PA

1997
Power of Paper, Main Line Art Center, Haverford, PA
Juror: Bernice Steinbaum

1989
Nexus Foundation for Today's Art, Philadelphia, PA
Invitational

Beasties, Beauties and Other Wonders, Perkins Art Center, Moorestown, NJ

MFA Thesis Exhibition, Temple Gallery, Philadelphia, PA

1985
Small Works, Third Street Gallery, Philadelphia, PA
Juried Invitational

Juried Alumni Exhibition, University of the Arts, Philadelphia, PA

1982
Four Women Artists, Provident Bank, Philadelphia, PA

1981
Crafts National, Marietta College, Marietta, OH

1982
Diverse Directions in Fibers, University of the Arts, Philadelphia, PA

New Talent, Third Street Gallery, Philadelphia, PA
Invitational

1979
The Landsman Gallery, Magnolia, NJ

1978
Swan Gallery, Philadelphia, PA

1977
The Artists’ House, Tel Aviv, Israel

Exhibitions Juried
2006
Art Quilts at the Sedgewic, Philadelphia Art Alliance,
Philadelphia, PA
International Exhibition